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Contributors
  •   Arati Rao
  •   Girija Easwaran
  •   Harold S. Powers
  •   Hema Ramanathan
  •   Hemalatha R
  •   Jayalakshmi R S
  •   Krishna T M
  •   Latha R
  •   Leelavathy G
  •   Madhumohan, Komaragiri
  •   Margaret Bastin
  •   Nandhini M
  •   Nandini Sharma Anand
  •   Narayanaswami, P. P.
  •   Premalatha V
  •   Priyashri V Rao
  •   Ramanathan N
  •   Richard Widdess
  •   Ritha Rajan
  •   Rowell, Lewis E
  •   Sathyanarayana R
  •   Scanner
  •   Seetha S
  •   Shekar Raghavan
  •   Shyamala Kannan Nair
  •   Subramanian M
  •   Subroto Roy
  •   Suguna Varadachari
  •   Veerapandian S.A.
  •   Vidya Jayaraman
  •   Vijayakumar , Alathoor
  •   Vijayalakshmi N
  •   Yasuhiro Okazaki
  • Name Action


    last updated:Mar-28-2009
    Analysis of Gamakams using the computer
    An analysis of the gamakams of Maayaamaalavagowla sung by different artists - also has appendices
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    last updated:Sep-16-2008
    Carnatic Music and the Computer
    Describes the possible application of Computers to Carnatic Music - Synthetic and Analytical


    last updated:May-17-2011
    Gamakam-Auto Computer Synthesis
    This paper describes the results of the author’s efforts to develop a computer program to automatica
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    last updated:May-17-2011
    Implied Samvaditva in Carnatic Music
    In the Carnatic music system, vadi-samvadi notes are never referred to in defining a raga. The purpo
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    last updated:Sep-16-2008
    Synthesizing Carnatic Music with a Computer
    Describes the problems of synthesising Carnatic Music with gamakams on the computer and the possible
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    last updated:Sep-16-2008
    The 'Maya' of Pitch and Frequency
    The frequencies of notes do not decide everything in a musical system like Carnatic Music which is h
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    last updated:May-17-2011
    Todi Ragam – Analysis of Notes and Gamakas
    This article gives the results of Computer analysis of the notes of Carntic ragam Thodi in which th
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